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By Hartman Deetz (Mashpee Wampanoag) 

Standing in the hills overlooking the coast of England’s Plymouth Harbor, in the distance, a group of Wampanoag has gathered in a Bronze Age stone circle. It is small and humble compared to its cousin to the east, the famous Stonehenge, but it is intimate and well suited for our needs. About 10 meters in diameter, the stones stand only 3 or 4 feet in height, but unlike its famous cousin, this circle is nearly forgotten. When we arrived, we see the only visitor is a grazing cow.

By Hartman Deetz (Mashpee Wampanoag)

I write as a Mashpee Wampanoag. It is who I am and inevitably shapes my views. The Wampanoag have the distinction of being among the “first contact” Tribes in the Americas, and as such we have a four-centuries-old tradition of interacting with the forces of colonization. This means we have four centuries of grievances, but also four centuries of solutions based on experience. We have seen time and again that the promises of “forever” rarely last more than 30 years.

For 51 years, Cultural Survival has partnered with Indigenous communities to advance Indigenous Peoples' rights and cultures worldwide. We envision a future that respects and honors Indigenous Peoples' inherent rights and dynamic cultures, deeply and richly interwoven in lands, languages, spiritual traditions, and artistic expression and rooted in self-determination and self-governance.

By Claudio Hernandez (Na Ñuu Savi/Mixtec)
 
February 1

Black History Month begins in the United States. Like Native American Heritage Month (November), Oaxacan Heritage Month (July/August), and Indigenous Peoples’ Day (October), I celebrate the awareness those months and that day bring about Black and Indigenous Peoples and histories, the steps it has taken for our respective and intersecting histories to be recognized by the same nation that inflicts its violence on us. 

By Phoebe Farris (Powhatan-Pamunkey)

“Developing Stories: Native Photographers in the Field,” featuring essays and images of Native American photographers, is on exhibit at the New York City branch of the National Museum of the American Indian until March 12, 2023 and features the work of photojournalists Donovan Quintero (Navajo), Tailyr Irvine (Salish and Kootenai), and Russel Albert Daniels (Dine’ descent and Ho-Chunk descent).

The Securing Indigenous Peoples’ Rights in the Green Economy (SIRGE) Coalition stands with the Apache Stronghold in demanding that Free, Prior and Informed Consent (FPIC) – Indigenous Peoples’ right to give or withhold consent on projects that impact or potentially impact them – is honored. FPIC flows from Indigenous self-determination as articulated in the United Nations Declaration on the Rights of Indigenous Peoples and should be honored as such.

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